Archive for the ‘design’ Category

The Eye of the Beholder

Sunday, April 27th, 2008

Me painting, age 2I don’t mind admitting that beauty is crucial for my inspiration: in itself, and as a context for other experiences. Beauty owns a door through which I reach the vestibule of love for God, from which I can (potentially) access doors to other spiritual qualities: service, patience, trust, carefulness, willingness, (et al, ad infinitum). If I return through the door to beauty having experienced love for God in that central vestibule, that beauty is augmented.

Colours are nutrients. I crave them and forage for them. When I see a new combination or ingenious use, I gorge and am replete. A visual clash or lack of care unnerves me like an ugly noise. Like sounds or scents colours harbour harmony or dissonance; they breathe or bleed life and energy.

On the balance of my life’s priorities, it was the relative weight of beauty that enticed me to study art.

It was not glamorous.

Socks, books, hair, fingernails all betrayed my occupation. Everything I owned was ink-smirched or bore a stray blotch of colour in a circle of oil. However carefully the charcoal was stowed, a crushed stub would find itself a most inconvenient and disappointing home.

I walked eight miles a day on flimsy plimsolls, in all the relentless weathers of North Yorkshire, existing mainly on potatoes and donuts. Why? To pass a day in paint fumes, observing the scales of a dead fish, or callusing my young fingers with wire. Why?

They were bleak, hungry years, but they were beauty – inward and outward.

I went nowhere without a sketchbook, and nowhere without observing the shades, shapes and spaces in things. Fine art formed my first year, but textiles and costume followed. My tutor was ruthless, for which I am now glad – that built me self-assurance. For me her common comment was: “Nice maquette” when presented with a finished piece. Costume thrives on impermanence, thus its enchantment. It is now that I can see reverence for impermanence as a useful quality: to move on to higher perfection without attachment. Are we not ourselves just God’s maquettes?

We are fortunate indeed to have devised ways of reproducing colour. Gone the days when blue came only sparingly from the grinding of precious lapis lazuli, and the hues of cloth relied on the nearest available herb. At the click of a button we may change the shade or shape of anything.

Yet in God’s Lila the spectrum always jumped and spread in endless glory as it does now. The cornflower defeats even lapis in brilliance; the sunflower deafens a saffron robe. I am more content nowadays to see art in natural situ; un-transferred to canvas, and un-described by paint.

IMAGE:
Courtesy of my Mum: me making a happy mess of colour, age 2.

LINKS:
For an in-depth study of the relationship between art and spirituality, you may be interested in Art’s Life and the Soul’s Light by Sri Chinmoy

Pure Web Designs

Monday, February 25th, 2008

PURE Web Designs, York UK

Time for a commercial break… or a cloudburst of shameless self-promotion.

My web design site has just had surgery. It’s recovering nicely at PureWebDesigns.co.uk, and I’m sure it would be very happy to receive a visit from you. No need to bring flowers.

Manga Shakespeare: Homegrown Hybrid

Tuesday, February 27th, 2007

Shakespeare in a comic book? This is serendipity, as I’d never have expected him there. In fact I wouldn’t have even looked.

The other day my mother was remembering the comics my brother used to read twenty-something years ago. We got as far as The Beano and The Dandy, when she said with a frown, “Did you have comics?”

“No!” I said as if stung, “I used to read magazines.”

“Oh yes, of course.”

I realised that even before my teens I regarded comics as something for those who are either just barely literate, or too lazy to read, or male and under the age of ten. As is so often the case, my mind was broadened only hours later, this time by an article in the Independent, heralding Britain’s latest homegrown hybrid: Manga Shakespeare.

Manga is Japanese for “random (or whimsical) pictures”. It firmly took root in the late 18th Century, drawing inspiration from 12th Century giga (literally “funny pictures”), blossoming in the early 19th Century, with the great Hokusai even producing his own manga collection. Originally wood-block prints, the modern story-based manga started to emerge in the form of drawings as Japan increasingly absorbed American influences.

Manga is much more culturally important to Japan than comic books are to the US. Weekly sales of manga in Japan even exceed annual sales of comics in America (source: Wikipedia). In the UK at least, manga, anime (animated manga), and in fact anything Japanese is no doubt rising in popularity.

Self Made Hero is a British team, set to release their Manga Shakespeare collection this Thursday 1st of March. Emma Hayley, director of SelfMadeHero says:

“With our fresh and innovative approach to the classics, we are creating exciting and unique books that will inspire today’s generation.”
SelfMadeHero.com

Good luck, I say. Anything (well almost anything) that makes the Bard more easily accessible has to be a good thing. Shakespeare is not a pompous poet in tights to be kept mouldering on the dusty shelves of aging professors; he’s a genius storyteller, and you shouldn’t have to be a genius to unravel the brilliance of his work. His plays are timeless, and infinitely adaptable. True, the original language is hard going, but if the essence of the stories is revealed to a wider audience, then maybe more will be inspired to delve into the treasure chest of his original works, while they’re young enough to keep up with the thrilling pace.

“Manga is a dynamic, emotional and cinematic medium easily absorbed by the eye. Its attractive art and simple storytelling methods will enthuse readers to approach Shakespeare’s work in the way he intended – as entertainment.”
SelfMadeHero.com

Later in the year a collection entitled The Classical Eye will be released by the team, so watch this space:

“…transforming classics into another art form. The books feature acknowledged leaders in the world of graphic novels and bandes dessinées, using illustrators and writers whose work is widely admired internationally.
SelfMadeHero.com

Image Source: SelfMadeHero.com